Lupe Fiasco sits down with renowned author and journalist Peter Bailey
to discuss the business of hip hop for NBC Nitecap, and to talk about
how its gradual commercialization has affected its ability to provide
social commentary.
In the first clip, the politically-aware Chicago rapper begins by
making a defense for “ignorant” hip hop, arguing that it would be
hypocritical to judge his peers for wanting more dollars, considering
the fact that they haven’t grown up around money. He says that he too
enjoyed the sudden leap from poverty to riches, but reveals that his
admiration for spiritualists like Gandhi and Civil Rights leaders like
Martin Luther King and Malcolm X led him to question what success really
was.
He ends the first half of the interview by discussing the power of
cursing, and how clean records sometimes represent a compromise rather
than true art.
In part two, Lupe gets deeper into some of the aforementioned issues.
He asks rappers to take a step back from their music and think about
why they’re making it. Are they trying to make art or just catering to
commercial needs? He, aligns himself with the art rather than the
commodity, admitting that if he’d never got into rap he’d “probably be
in the theater, probably making nothing, just being a stage hand…”
Lupe goes on to talk about Miami artists like Trick Daddy, whose autobiography Bailey helped craft, and Rick Ross,
critiquing some of the get-rich-fast messages which particular rappers
put out there. “You have to realise that there’s a relationship between
what you say and what happens in the streets,” he comments.
In what turns out to be the most meaningful part of the interview he
asks young black men to think about what they actually want- ”You wanna
live sixty years in prison, because you was rich for a summer, because
you had a Maserati for a summer?”
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